Biography
Irene Aunio-Saasto was born
March 27, 1919 in Isokyro,
Finland. Aunio was a life-long painter,
particularly of watercolor and oil landscapes and waterscapes. She was
well established in the Finnish community of New York. Aunio painted
professionally under her maiden name, Irene Aunio, for the majority of
her career as an artist.
Aunio came to the
United States in 1923 via Canada, with her parents, Walter
Aunio and Hilda Latvala, when she was 4-years-old. The family lived in
"Finntown" (Sunset Park),
Brooklyn,
New York. Walter was a carpenter
and Hilda ran a photography studio. Walter was also the bartender and
Hilda was the cook at the Imantra Hall, a Finnish Society which catered
to the social needs and preserved the cultural roots of many
Finnish-Americans.
As a child, Aunio gravitated towards the arts,
initially using dance as an outlet for her high-energy personality,
before inevitably discovering painting. Later in life, Aunio would
attribute her discovery and passion for painting to a vision she had at
the age of 14. At this time, a disembodied voice identifying himself as
El Greco came to her one afternoon and told her she should paint. The
next day, Aunio visited El Greco's
The View from Toledo at the Metropolitan Museum of
Art and bough her first paint set soon after. After that day, she
dedicated her life to the pursuit of painting.
Aunio began taking formal lessons in art during
high school, attending a special arts curriculum that allowed her to
spend half the school day painting. She would later continue her
education at the Pratt Institute, the
Brooklyn Museum and eventually the Art Students
League of New York. It was during her time at the Art Students League
that she achieved her first bout of recognition. In 1952, she was
encouraged by her instructor, Bernard Klonis, to submit a painting to
the American Watercolor Society (AWS). Much to Aunio's surprise, her
painting was accepted and a year later, she was awarded official
lifelong membership to the prestigious society. Her works received much
attention in group and solo exhibitions, becoming a part of
numerous permanent collections and museums throughout the USA.
A major accomplishment in her career was her
solo exhibition in the
Brooklyn Museum in 1966. After this point, she
began teaching to help pay for her supplies and tuition. She became
widely sought after as an instructor at both the Brooklyn Museum
and the New York Adult Education Project. Teaching grew into a life-long
passion, which she would continue until her death. Aunio found herself a
busy woman throughout her life, especially when she was raising her
daughter and twin sons. In addition to working to afford her supplies,
she also received financial support from her husband, Ernest Saasto,
attorney, Army Lieutenant, and fellow Finnish-American. Fortunately,
Aunio continued her painting career alongside her duties as wife and
mother, an especially difficult endeavor for women of her time.
Aunio began with oils, but her medium of choice
was always watercolors, valuing them for their softness and fluidity.
These elements were a staple in her work. Aunio exercised a balance
between controlling her paints within her composition, while still
allowing the looseness of her paints to flow into each other. Her body
of work is a combination of her love of painting and her love for
nature. Aunio's love of nature, especially of birch trees, can be
attributed to her youth, running around in the fields and woods of her
native
Finland.
In adulthood, Aunio rarely painted from references, preferring to paint
on-location, often spending a great deal of
time finding the perfect
scenes to depict. Aunio worked on a seasonal basis, spending the summers
painting boat harbors and using annual skiing trips with her husband as
an excuse to paint. Later in life, she turned these trips into
watercolor workshop retreats open to the public. Aunio did not just
restrict herself to landscapes, often painting nudes, animals and
interior still lifes as well. Aunio believed painting to be a lifelong
learning process. To Aunio, there was something even a veteran painter
could learn from others, especially young students just beginning to
paint. Her workshops and demonstrations were a fulfilling opportunity
for her to share her passion for art-making with others.
Towards the end of her life, Aunio continued to
be involved in exhibitions. Of significant note is her participation in
the Washington Square Outdoor Art Exhibit, which she attended every
Memorial Day and Labor Day weekend since 1952, until her death. In 2003,
Aunio opened her own gallery in Huntington, New
York, where she was proudly able to show her
ever-growing body of works. During Aunio's eighty-year career, she
produced thousands of watercolor and oil paintings, many of which
crowded her studio in Rocky Point, NY, and her
gallery in Huntington, NY. Her overall output, combined with the
lengths she went to perfect her painting until the very end of her days,
is proof that her drive to create never left her. She often stressed the
importance of sacrifice, realizing that she needed to commit herself to
painting, regardless of what circumstances came her way.
Aunio remained dedicated to her work until her
death on February 2, 2013. Aunio's husband, Ernest Saasto, preceded her
in passing in June of 2000. Her daughter, Laurel, preceded her in
passing in February of 2011. Aunio left two surviving sons, Ernest and
Robert, both attorneys in New York, a
step sister, Tuulikki Hanninen, in Florida,
and five grandchildren (Ryan, Kimberly, Ernie, Kevin and Eric) on Long Island, New
York. In addition, Aunio leaves behind many
cousins from the Aunio and Latvala families in Finland.
She will be missed, but her art survives.
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